Behind the scenes at Samsung's TV factory: Part I
Samsung has come a long way in the TV manufacturing business. One of the company's first products was a small, boxy CRT in the late 1980s but it has risen from there to become one of the bestselling television brands globally.
 The Suwon facility, which houses Samsung's Touch of Color plant.
(Credit: Ty Pendlebury)
One of the main factors behind Samsung's recent popularity has been its focus on aesthetics. In 2005, Samsung underwent a form of rebirth. Perhaps inspired by its collaboration with Sony in 2004, Samsung sought to reinvent itself as a design-centric production house. As a tour of Samsung's brand museum demonstrated, the company had been known for its functional, yet sort of ... ahem ugly, products, and it sought to change all that. This philosophy gave birth to the Rome or "boomerang" design and has culminated in the company's "Touch of Color" (TOC) brand.
We visited the plant that makes the TOC bezels, which is on the site of the original plant that dates back to 1969. The Suwon Complex south of Seoul continues to house the company's R&D operations and the TOC facility, while the televisions themselves are now built at the newer Tangjeong complex.
We met with one of the people behind the Touch of Color design, Kang Yunje, who is the vice president of design at Samsung's Visual Display Group. He walked us through the company's vision for design, and how in his 15 years he has seen the emphasis change from utility to "beauty". He said designs tend to go in 10-year cycles, of which "glossy bezel" televisions such as the TOC are now a part. Based on this, we'll have until 2015 before the design of televisions fundamentally changes. Funnily enough, Samsung's engineers told us that OLED will become a mainstream technology around the same time.
Yunje said he designs products that are "not just a TV but an aesthetically beautiful item" and that he wasn't interested in emphasizing the technology itself. When asked if men liked TVs that stand out in a room whereas women prefer them to integrate, Yunje said "that's why a man will have his own room for A/V components, and a woman will stand looking in pity from the door".
According to Yunje, the company uses what he calls a "360 design philosophy": Designing TVs a year ahead to keep the jump on the competitors. Based on the sneak-peek presentation we saw, the 2010 models share a similar look to this year's, with some tweaks to the "crystal" stands.
Yunje said this was deliberate to help build a "brand identity", adding that "BMW doesn't need to change that much".
The original TOC design--as featured in panels such as the Samsung Series 7--was apparently inspired by the glass blowers of Venice, and uses die-injection techniques pioneered in the automotive industry.
However, Yunje didn't talk about this as much as about the design of the TV itself--he said the combination of a rounded bezel and crystal stand was designed to give the TV a "lighter than air" look. Interestingly, this was a sentiment that was echoed by LG's designers when we visited them earlier in the year.
We got to see first-hand how this process works, and how it forms one part of making a television.
The original story first appeared in CNET.com.au
Tags:
Samsung Electronics Co. Ltd.,
TV,
Sony Corp.,
R&D,
LG Electronics Inc.
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