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Panasonic Lumix DMC-FX50

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Performance
Though it's hardly a speedster, the DMC-FX50 keeps up with the rest of its class pretty well. After a brief 1.5-second wakeup-to-first-shot interval, it shoots 1.3 seconds apart in good light, and 2 seconds with flash. Typical shutter lag is on the high side at 0.6 second, but competitive in dim light at 1.1 seconds. Depending upon shooting mode, the DMC-FX50 captures a run of between 6 and 8 frames at about 1.7fps.

Shooting speed
(Shorter bars indicate better performance)

Typical shot-to-shot time

Time to first shot

Shutter lag (typical)

Kodak EasyShare V705

0.6

3.6

0.3

Canon PowerShot A710 IS

1.2

1.6

0.4

Sony Cyber-shot DSC-T30

1.3

1.8

0.4

Olympus Mju 750

1.5

2.4

0.6

Panasonic Lumix DMC-FX50

1.1

1.5

0.6

Typical continuous-shooting speed
(Longer bars indicate better performance)

Typical continuous-shooting speed

Kodak EasyShare V705

2.1

Panasonic Lumix DMC-FX50

1.8

Canon PowerShot A710 IS

1.5

Sony Cyber-shot DSC-T30

1.4

Olympus Mju 750

0.8

Image Quality
As is typical, however, Panasonic hits the wall on photo quality. It fares reasonably well when it comes to exposure, color, and white balance, and the lens is surprisingly good, with no distortion at telephoto and little at the wide angle. But if image noise had a sound, the FX50 would make my ears bleed. Its photos start out with significant amounts of noise at the lowest sensitivity setting of ISO 100, then just get worse. There's a switchover between ISO 200 and ISO 400, where aggressive noise suppression kicks in and changes the type of artifacts--from Seurat's pointillism to Monet's brush strokes. These photos are best viewed small.

If Panasonic could just nail the noise, the Lumix DMC-FX50 might stand a chance against competitors such as the Canon Digital IXUS 850 IS and the Sony Cyber-shot DSC-T30. As it is, however, you're better off letting the FX50 sit this one out.

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