The Sigma 10-20mm F3.5 EX DC HSM. (Credit: Stephen Shankland/CNET News)
LAS VEGAS--Offering some higher-end alternatives and expanding image stabilization more broadly, Sigma announced a trio of lenses for digital SLRs Monday at the Photo Marketing Association (PMA) trade show.
The three new models, which will work on Canon, Nikon, Pentax, Sony, and Sigma cameras, are a higher-end 10-20mm ultrawide-angle zoom, and 18-50mm and 50-200mm zooms that unlike earlier models come with optical stabilization. The lenses are due to ship this spring, but pricing isn't yet announced, said Christine Moossmann of the company's marketing department. Read more »
Although it looks like something you'd hang from your rearview mirror next to the fuzzy dice, Datacolor's SpyderCube is actually an ingenious tool for maximizing the dynamic range and obtaining neutral white balance for your digital photographs. Datacolor describes the SpyderCube as "the first all-in-one raw calibration device for fast and accurate whitepoint correction as well as bracketed adjustments for highlights and blacks," which I find a bit misleading, but it nonetheless seems as if it has the potential to aid those of us who batch process large numbers of images shot under consistent but uncontrolled lighting.
The term I take issue with is "calibration device," because it makes it sound as if you're somehow optimizing the camera's behavior by using it. You're not; you're optimizing your processing of the resulting image files. You photograph it to define a reference white point, black point, and various other characteristic points that you then use to more accurately and consistently retouch photos--or create a profile based on it for batch processing of the photos--shot under those lighting conditions. In fact, I suspect if you tried to use the entire cube for setting manual white balance in the camera, the closest a camera offers to calibration, it would send too much data and confuse the system (I haven't yet tried it; this is based on my discussion with the company when the product was just a spec.) Read more »
Better late than never? Pentax makes a surprisingly belated entry into the megazoom digital camera market with the US$399.99 X70, a competitively spec'd camera. In fact, its lens and sensor specifications look amazingly similar to that of the Nikon P90: A 1/2.33-inch 12.7-megapixel CCD and 24x F2.8-5 26-624mm-equivalent zoom lens.
Unfortunately, there's not much here to differentiate it from the crowd, at least on the surface. The X70 incorporates a 2.7-inch LCD, but it's fixed--many competitors offer tilting or fully articulated displays. It doesn't support HD movie capture, instead maxing out at a 1,280x720-pixel resolutions at 15 frames per second using the rather inefficient Motion JPEG codec. While it offers sensor-shift image stabilization--every camera in this class has either mechanical or optical stabilization--the Movie SR (Shake Reduction) mode sounds like it's probably electronic. There's a high-speed burst mode, 11fps for 21 frames but at a reduced 5-megapixel resolution. And while it offers a full complement of manual and semi-manual exposure modes, it lacks RAW format support.
The weakest aspect of megazooms tends to be the lens: They're usually not terribly sharp across much of the zoom range, and prone to distortion and aberration. Nor are these models usually particularly speedy. So if Pentax's lens is a bit better or it's a faster shot than its competitors, then it's got a chance. I guess we'll find out when it ships in April.
Now that Flip has created a market for cheap minicamcorders such as the MinoHD, Sony's decided to jump in with its own offerings, somewhat annoyingly nicknamed the Webbie HD models.
The vertical-style MHS-PM1 seems a better category fit than the MHS-CM1; though like many of its competitors it lacks an optical zoom, it has a nifty swivel lens mount. It records 1080p MPEG-4 video to Memory Stick Duo media at 1,440 x 1,080-pixel resolution, and shoots stills at a comparatively high resolution (5-megapixels). Also like many competitors, the software it ships with--Picture Motion Browser Portable--doesn't support the Mac.
A little under a year ago, Flickr began hosting video alongside its online photo service. One of its shortcomings was that it did not support high-definition video, which in the past year has become a major feature on point-and-shoot and digital SLR cameras, as well as popping up on major video-hosting services like YouTube. Video was also only available to Flickr users who were subscribed to its US$25 annual professional membership.
On Monday, both of these limitations have been lifted. HD is now available to paying pro users, whose previously uploaded clips will be re-processed to fit inside the new 16:9 HD player by the end of the week. Flickr is also opening up its video feature to free users, although their HD videos will only play in the SD player.
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